Black
#111314
Black here is a very slightly softened black with a faint cool cast, close to printer's ink rather than a pure void. It is the most frequently used color in the book, appearing in 23 combinations, and it acts as a frame for brighter colors. Orange and Yellow become loud and graphic against it, while Carmine turns dramatic and theatrical. With about 18.6:1 against white it is the strongest text color available, and light colors set on it read clearly. It suits typography, lacquered furniture, formalwear and high-contrast posters.
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Used in 23 Combinations
Combination 46
2 colorsOrange and Black
Combination 52
2 colorsSulpher Yellow and Black
Combination 62
2 colorsYellow and Black
Combination 69
2 colorsWarm Gray and Black
Combination 112
2 colorsGrenadine Pink and Black
Combination 117
2 colorsCarmine and Black
Combination 144
3 colorsRosolanc Purple, Orange and Black
Combination 190
3 colorsIvory Buff, English Red and Black
Combination 207
3 colorsSudan Brown, Glaucous Green and Black
Combination 216
3 colorsJasper Red, Green and Black
Combination 221
3 colorsCarmine Red, Neutral Gray and Black
Combination 242
4 colorsEosine Pink, Burnt Sienna, Diamine Green and Black
Combination 255
4 colorsRaw Sienna, Pyrite Yellow, Calamine BLue and Black
Combination 256
4 colorsVinaceous Cinnamon, Orange, Dull Viridian Green and Black
Combination 269
4 colorsRaw Sienna, Pale Burnt Lake, Aconite Violet and Black
Combination 276
4 colorsEosine Pink, Seashell Pink, Yellow Green and Black
Combination 288
4 colorsYellow Orange, Sepia, Taupe Brown and Black
Combination 298
4 colorsRaw Sienna, Lemon Yellow, Peach Red and Black
Combination 313
4 colorsCarmine, Yellow, Diamine Green and Black
Combination 323
4 colorsCinnamon Buff, Citron Yellow, Madder Brown and Black
Combination 337
4 colorsVistoris Lake, Laelia Pink, Violet Carmine and Black
Combination 340
4 colorsPeach Red, Sea Green, Neutral Gray and Black
Combination 344
4 colorsCinnamon Buff, Deep Lyons Blue, Aconite Violet and Black
Closest Werner colors
From Werner's Nomenclature of Colours, 1814. Measured by perceptual distance in CIE L*a*b*.
Closest Ridgway colors
From Color Standards and Color Nomenclature, 1912. Measured by perceptual distance in CIE L*a*b*.